Oh noez! Where did a week go?
Well, there’s been hecticness of various kinds around Tsarskoe Tsocko. Some of it Stealth, some of it personal, some of it just garden-variety hecticness.
At any rate, I have been anything but idle: among many other things the hecticness has included further megaswatching. In fact - I’ve made a whole ‘nother megaswatch, in a whole ‘nother color.

The new swatch, on the left, is done in this yarn. Lovely though it is, among other things it has served to confirm that I love the other, darker, greenier color more. Which is kind of nice, because the other, darker, greenier color is what we were originally trying to replicate when Jennifer came up with this one.
Sorry, I know the references to “this” and “that” and “other” are kind of confusing - fact is, neither of these colorways has an official name yet. They are both by-products of the Search For Bronze that was part of the development of The Nine Tailors. I ended up using something quite different, but I’ve always known I wanted to use these colors for something. The lighter one has drifted in a sort of subtle stormy-sea direction, though it does also definitely have a bronze - or urinated copper - flavor to it. The other… oh, I’m not sure any more that I even care what it looks like, I just know that it’s also bronze-ish in a streakier and more dramatic way, and I love it and it’s what I’m going to use.
Of course the real point of doing this was not only to ascertain my color preference under actual swatching conditions but to test out the new aspect ratio for the twist patterning. Actually, in defiance of good lab practice, the new megaswatch tests several ideas at once. It’s four rows per change instead of six. It’s a different method - Nemesis Delight Maximus. It uses linen stitch for the band facing.
Here’s the original megaswatch, at six rows per change:

And here’s the new one, at four rows per change:

Mind you, I still think the old approach looks great. But so does the new, and the new is what I wanted, what I intended. And from a mechanical standpoint, it really works. It’s kind of astonishing to me how much quicker and more harmonious the whole process is now - now that both types of patterning are based on multiples of four. It just - well, it just FEELS right. And I have been noticing again and again lately that what FEELS right, in knitting, very often IS right.
Next - the linen stitch facing:

Here again, I think we’ve got a winner. There are still some problems with it - for one thing I made this section a couple of stitches too wide, so it doesn’t tuck under as neatly as it should. But that’s easy to fix. For another, linen stitch is even less elastic than the colorwork band, and it has a tendency to pull in vertically - which makes perfect sense when you think about the fact that every other stitch is slipped and the rows are staggered. Of course it would pull in vertically! Heroic blocking was required to make it lie reasonably flat in relation to the rest of the piece. Answer: gonna work the linen stitch panel on a bigger needle. (I’m testing this now on the latest edging swatch, and it’s going to work just fine.)
In addition to making the new megaswatch, I’ve been experimenting with horizontal bands on the old one:

Any hopes I may have cherished of actually using this swatch for anything else are receding, because I went out of my way to make all my mistakes on it, and… a lot of this work is pretty sloppy. See how the seed stitch panel pulls in at the edge in the picture above? Um, yeah, I was experimenting with different row/stitch aspect ratios for attaching the band to the selvedge.
I also used the band to test a method of joining color strands…

… so I could learn the hard way which aspects of the technique work well and which ones don’t. At the risk of pointing out the obvious - the bulgy bits are the ones that don’t.
And I tried three different styles for the crease (top views and side views for each):
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Click on any thumbnail image to biggify.
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- with the third (i.e. the one on the far left) emerging the clear winner. Funny thing about that, too - again the one that was simplest to work, the one that involved the least wasted effort, the one that felt most logical and least convoluted, was also the one that looked best and the one that will best match the vertical bands.
I just love how knitting works that way.
(Oh - you may be wondering about the corners where the bands meet? Don’t ask. Wonder on, till truth make all things plain. I do have something specific in mind, but I’m not there yet.)
I bound off the new megaswatch on Saturday evening, and I immediately had a terrible struggle with myself. I knew the linen stitch section was going to require the above-mentioned heroic blocking, and I thought to myself, now I really should wash and block this thing BEFORE I cut it, so that part will be all flat and well-behaved when I come to hem it. And you know what? I answered, THE HELL WITH THAT, I WANNA CUT CUT CUT CUT CUT IT NOW! Angel on my right shoulder murmured that this was not the prudent or proper thing to do. Devil on my left shoulder promptly jabbed at angel with pitchfork. Missed angel and stabbed me right in the ear, all the while yelling CUT! CUT CUT CUT CUT CUT!!!!! YOU KNOW YOU WANT TO!!!!!
So of course I did. Because yes, I really really WANTED to. Desperately. Urgently. Hungrily. “Oh my friends, be warned by me” - once you’ve lost your steek-cutting cherry there is no turning back. The second time feels even better than the first, and it doesn’t even hurt any more, not even a little - not that you’d give a damn if it did, because all you care about now is the feeling of the fabric as it stretches and parts, until at last… you reach that farthest edge, hurtle beyond it, and finally come to rest, gasping in joyous release. Yes, you are on a slippery slope now, and it just gets steeper and steeper as you slide farther and farther down. And the scissors! Those big… long… hard… blades that formerly struck fear into your very soul? have now become an object of ardent desire. Oooooohhhhhh, baby. How you gonna keep ‘em down on the farm, after they’ve had hot steeks? You ain’t. Cut successfully once… and you’re a cuttin’ fool forever. Ride ‘em, cowboy!
So yeah, I cutted mai knittinz - and I enjoyed the hell out of it and I can’t wait to do it again.
And then AFTER I cutted it, I pinned it and hemmed it, and THEN I blocked it.
HARD.
And the next morning when I woke it up and unpinned it from the board? Damned if it didn’t love and respect me more than ever.
The life of a hardened, wanton sinner; I could definitely get used to it.